This week in the Film After 11 podcast, I take my son Joseph out to the ballpark for a viewing of Penny Marshall’s rousing 1992 baseball picture A League of Their Own. As a former Little Leaguer, he appreciated the depiction of baseball and the history lesson he didn’t know beforehand.
If you’ll forgive the sports pun, the late Penny Marshall was hit-or-miss as a filmmaker for me. I like Big and this one well enough, but most of her other movies much less so. I can go back and forth on whether I think Big or A League of Their Own is her best film. At the moment, I’m inclined to give credit for League being the more ambitious project with more on its mind to say. On the other hand, I think the scripting by the (let’s be honest here) hacky comedy team of Lowell Ganz and Babaloo Mandel can be a little too sappy, a little too blunt in its messaging, and the movie could stand lose half an hour off its run time.
| Title: | A League of Their Own |
| Year of Release: | 1992 |
| Director: | Penny Marshall |
| Watched On: | Fandango at Home (rental) |
| Also Available On: | 4K Ultra HD Blu-ray Blu-ray Peacock Tubi Various VOD rental and purchase platforms/ |
Video Streaming
Sony Pictures released A League of Their Own on Blu-ray for the film’s 20th Anniversary in 2012 and again for the 25th Anniversary in 2017. A 4K Ultra HD Blu-ray eventually followed in 2024 without any special anniversary designation on the packaging. Because I don’t own any of those, I streamed the movie in 4K from Fandango at Home.
As the movie’s prolonged opening credits dragged on and on, I was disappointed by the soft and dupey image quality. Fortunately, once the title composites finally finish, the picture snaps into better clarity. The same issue recurs during later on-screen text, including the end credits, as well as dissolves and other opticals.
Discounting that problem (which, to be fair, almost certainly stems from the original production), the 4K transfer is otherwise acceptably sharp and detailed, though not exceptionally so. Some scenes have light grain, while others have little to none visible. Colors are nice, especially the lush greens of baseball field grass. The HDR grading is rather subtle and rarely calls attention to itself, but most scenes have a decent sense of depth. I suspect that the disc version might be a bit better resolved, but the 4K streaming is entirely watchable.
(Note: I didn’t compare Fandango streaming to Peacock, because I’m on an ad-tier there and didn’t want to put up with interruptions. Also, in my experience, Peacock is generally a mediocre quality streamer for picture quality.)
The 4K steaming is accompanied by Dolby Atmos audio, and no other options. Once again, my initial notes state that I was underwhelmed by the use of Atmos, which seemed barely perceptible. However, as the film goes on, I began to pick up more surround envelopment, with select sounds steered toward the rear in a subtle but naturalistic manner. Height channels are mostly engaged for the roar of crowds from the stadium stands, some fireworks, and one very fun dance hall sequence. Sound effects such as the crack of baseball bats hitting the ball are crisp and used well.
Related
- Penny Marshall (director)
- Big (1988) – Film at 11 podcast
- Tom Hanks
- Apollo 13 (1995) – Film at 11 podcast
- Madonna
- Dick Tracy (1990) – Film at 11 podcast
Note: All screenshots on this page were grabbed off a web browser, and came out looking much softer than actually watching the movie from a proper streaming device. They are used for illustration purposes only.


